Paul Gravett interviews R. Crumb
It was only later that I discovered bit by bit first the world of
old-time illustration, I am very interested in that. And only fringely
interested in most fine art. I got to liking those German guys like Dix
and Grosz and I liked Salvador DalĂ and other surrealist stuff like
that. I like a lot of Outsider Art, primitive and strange stuff by crazy
people. The thing about the fine art world is they have this pyramid,
this hierarchy, and it’s very rigid. It’s breaking down a little bit but
it’s according to how much money you can get for something. I don’t buy
into that. I had zero interest in abstract expressionism, starting with
the post-war American artists.
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